Designing as unveiling (relational) landscapes’ opportunities hidden into the folds of obvious. Nice conversation with Alberto Iacovoni about the photomontage of stills from the movie Le Mepris.

Photomontage of stills from the movie Le Mepris (1963) by Jean-Luc Godard. The building shot is Casa Malaparte (1938-1943) by Adalberto Libera for Curzio Malaparte (Kurt Sucker), located in Punta Masullo, Capri (Photomontage by Daniele Mancini)